Everything Chordora does, in order. If you read only one section, read the first. The rest explains itself as you go.
Every song is text in ChordPro format: lyrics with chords in square brackets. Both views grow out of that single source — the sheet for playing and the editor for writing.
A tap always opens the sheet first; the editor sits one level above it. The source is the binding version: transposing, wrapping and hiding chords change the display only, never what you wrote.
Chordora does not save automatically. That is deliberate: if you go back with unsaved changes the app asks first, and discarding is a reliable way out. The pencil saves on its own, because the song details read the stored version.
You needn't learn it by heart — the toolbar writes all of it. Knowing it just makes you faster.
| Notation | Meaning |
|---|---|
[G]Amazing [C]grace | Chords in square brackets, right before the syllable they sound on. |
[D] [G] [C] | Several chords without lyrics — for intros and instrumental passages. |
{title: Amazing Grace} | Metadata in curly braces. Likewise
{artist}, {key}, {capo}, {tempo}. |
{start_of_chorus} … {end_of_chorus} | Sections. Likewise
start_of_intro, _verse, _bridge, _outro. After a
colon you can set your own heading. |
# note to self | A note just for you. It stays in the editor and never shows on stage. |
{comment: two voices from here} | A hint printed in the sheet — small and
italic. Short form: {c: …} |
and then (quietly) on | Round brackets: in the sheet the text appears without them, italic and muted instead. For directions in the middle of a line. |
Your line breaks are kept. On top of that the sheet wraps over-long lines at the screen edge — chord line and lyric line always at the same point, so every chord stays above its syllable. Breaks happen at word boundaries, never inside a chord name.
{title: Amazing Grace}
{artist: Traditional}
{key: G}
{tempo: 72}
{comment: Three-four time — count it calmly}
{start_of_verse: Verse 1}
[G]Amazing [G7]grace! how [C]sweet the [G]sound
that saved a wretch like [D]me!
{end_of_verse}
Three notations look alike and do different things:
| Notation | In the editor | On stage |
|---|---|---|
# text | visible | nothing |
{comment: text} | visible | grey italic |
{start_of_chorus} | visible | CHORUS heading |
You mostly meet {c: Chorus} in files from chord sites, where it stands in for a real
section. It only prints the text, though — the app has no way of knowing a chorus starts there. If
you want structure, use {start_of_chorus}.
The bar sits above the text at all times.
{comment: …}.# line. Tapping again
takes it off.Below the bar you find every chord the song already uses. One tap puts it at the cursor — with
[A7sus4] that saves a fair bit.
Tap an existing chord and it is selected together with its brackets. Start typing and only the chord is replaced — the brackets stay. Delete, on the other hand, removes it entirely.
Songs copied from the web usually have a chord line above the lyric line:
G C
Amazing grace how sweet the sound
When you paste through the text field's context menu, Chordora recognises this on its own and moves each chord to the right place in the text:
[G]Amazing [C]grace how sweet the sound
If a chord lands in the middle of a word, it snaps to the nearer word boundary rather than cutting the word in half. A note at the bottom reports the conversion and offers Undo. Text that is already ChordPro, and plain lyrics with no chord line, are left untouched.
The sheet is the view for playing: read-only, full-bleed, without navigation or tab bar. Title and artist sit at the top left. Close and auto-scroll are at the top right, the caret with the remaining controls at the bottom right.
Transposition, text size and the chord switch are saved per song and are back the next time you open it.
Often all you have for a song is a handwritten sheet. You capture it via ⋯ › Photos in the editor: the dashed tile with the + offers Scan page, From library and — as soon as an image is on the clipboard — From clipboard.
The document scanner finds the edges of the paper, straightens it and lifts the contrast; several pages go in one pass. To reorder, drag one tile onto another.
Photos rank equal with the text: a song may have both, text only, or photos only. In the sheet the photos hang below the text in order — one content, nothing to switch. Auto-scroll runs across both.
As with the text, adding, deleting and reordering only take effect on Save.
Setlists appear as tiles, two side by side. Each shows the name and the first few titles. A long press opens Rename, Duplicate, As PDF, a Colour to mark it with, and Delete setlist. From two setlists onwards a sort control also appears at the top left.
The same song may sit in any number of setlists, at a different position in each — it is not copied. If a song is deleted, it disappears everywhere.
A long press on a song or on a setlist offers As PDF.
For a setlist the document starts with a cover page — the setlist's name and the songs it contains with their artists — after which each song starts on a new page. Every page carries a page number and the Chordora mark.
The PDF does carry the photos, each on its own page. It prints on A4 in a fixed character width, in whatever key the sheet was last set to. For band members it is therefore the more complete format.
A long press on a song offers Share; the editor has the same entry in the
⋯ menu. What gets sent is a .chopro file — an open text format other
programs can read.
From the editor the working copy is shared, from the list the stored one. If a song contains photos the app points this out first: a ChordPro file can only hold text. You can still send it — for the complete version use the PDF.
The search field in Songs searches title, artist, lyrics, chords and tags at once.
The symbol at the top left picks the sort order: recently opened, title, artist or date created. Swiping left offers Delete and Editor, swiping right puts the song into a setlist. A long press opens Share, Rename, Duplicate and As PDF.
Capo is information only and does not shift the chords. If a key is stored, the sheet additionally shows the sounding key — with a capo on the 2nd fret and shapes in C, that is D.
If you really want to transpose, use the transpose buttons. They change the chords shown, not the source.
Chordora is free and holds ten songs — including the three demo songs it ships with. If you don't need them, delete them and you get the room back.
Beyond that, Chordora Unlimited removes the limit — €2.99 once, no subscription, valid on every device with the same Apple Account. Everything you have already created stays and remains usable, whatever you decide.